The English translation of Allt Är Intet is "All Is Nothingness"
- an apt enough title for a band already possessed of the
scorched earth sonic tendencies and nihilist-leaning name
of The End. Yet there's some ambiguity to that philosophy;
the most bleak and despairing interpretation can be countered
by a more all-embracing, one-with-the-universe meditativeness.
Perhaps surprisingly, either conclusion proves to fit Allt Är Intet,
the remarkable second full-length album by The End.
The powerhouse international quintet is made up of
Swedish saxophonist Mats Gustafsson
(Fire!, The Thing), Norwegian saxophonist Kjetil Møster
(Møster!, Zanussi 5), Ethiopian-born vocalist
Sofia Jernberg (Fire! Orchestra, PAAVO), Norwegian
guitarist Anders Hana (MoHa!, Ultralyd(, and Norwegian
drummer Børge Fjordheim (Cloroform).
Anyone familiar with these boundary-leaping musicians'
work is familiar with their throttling ferocity and ability
to stretch their music into brutal extremes with focused
intensity, as evidenced throughout The End's audacious
2018 debut, Svarmod Och Vemod Är Värdesinnen
(which featured Deerhoof drummer Greg Saunier in lieu
of Fjordheim). But their follow-up, achieved after
two years of continued exploration together, strikes an
exhilarating balance between it's predecessor's blistering
maelstroms and a more densely layered and haunting beauty.